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Michael Hatfield, PMP,: June 2010 Archives

PMBOK® Guide for the Trenches, Part 6: Quality

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We hear a lot about how quality can make a project management world full of butterflies and rainbows. But I have a bone to pick with quality.

C.F. Martin has making guitars since 1833. The company's quality is legendary -- and so is its price.

It was Martin that developed the Dreadnought body style, so called because its size was increased dramatically to boost volume and bass response. The resulting models, the D-18 and D-28, became the standard by which all other acoustic guitars are measured.

Sir Paul McCartney played a D-28 at his recent White House performance. Elvis Presley started off with a D-18 and moved up to the D-28 as soon as he could afford to. And from the time I started playing acoustic guitar, I wanted one.

I finally scraped together enough for a D-28, and my obsession started before I even left the store.

The custom cases are so precisely made that you can't leave the strap on the guitar. So, I bought a quick-disconnect device for it.

Then, my salesman informed me that Martin's lifetime guarantee doesn't cover cracks for guitars because of low humidity. In my home state of New Mexico, that's a problem. So, I bought an advanced humidifier and after-market insurance.

And, of course, I needed new strings. (One does not put medium-grade strings on a D-28.)

The beginning of my enslavement to this highest of high-quality musical instruments had begun.

The first time I used it in public, I was aware of a certain sense of dread. I realized that I was walking around with US$2,300 worth of fragile wood strapped to my torso. Microphone booms, chairs and other instruments loomed dangerously close by. My proximity bubble -- that area around your person where you're not comfortable with others -- had just grown significantly.

In past writings I've been a tad harsh on the quality fanatics, primarily because they can (and often do) place project managers in a position of being vulnerable to cost and schedule variances should high standards prove elusive. Those project managers should take heart: The ultimate consumers of your projects are held hostage to these same high standards, as I have come to realize.

I tried playing my other guitars, but it's too late. I have been spoiled. I have also reached the conclusion that quality has a distinct downside.

PMBOK® Guide for the Trenches, Part 5: Communication

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Frankly, I have no idea why or how the perfectly working lingo of the old cost/schedule control system criterion (C/SCSC, also known as "the C-Spec") has been superseded by the more recent, trendy jargon, but I am pretty sure project management, as a discipline, would be greatly enhanced if only we could go back to the way it was.
 
When the C/SCSC came out in the United States in the late 1960s to early 1970s, the Department of Defense insisted that organizations with whom they did business had a fairly advanced project management information capability. Because this insistence was attached to large amounts of business, companies took notice and quickly put into place the codified project management practices called for in C-Spec.

Coming as it was from the United States Department of Defense, you just knew there would be plenty of acronyms.

The time-phased budgets were known as the budgeted cost of work scheduled, which quickly became BCWS and shortened again to just "S."

Similarly, earned value was the budgeted cost of work performed, abbreviated to BCWP and then "P."

Actual costs, being the actual cost of work performed, then ACWP, had the same last initial as earned value, so it became just "A."

Three of the most important concepts in project management information theory had been reduced to single letters. It could even be argued that this entered the realm of code: a code that only the true believers of project management knew by heart.

But there was no earthly reason to know what the project managers  were talking about if you were a newly minted MBA or an accountant.

Their faces would likely assume aspects not unlike those of archeologists trying to understand hieroglyphics pre-Rosetta Stone.

Project managers could discuss their cost and schedule performance openly, even the ugly parts, without fear that the non-believers of project management had a clue what was being asserted.

Indeed, the folks in accounting took the opposite tack. Their communications lost their original precise definitions and are now mainstream. The "bottom line," originally the last line of information on a profit and loss statement, entered the business lexicon and eventually became synonymous with the final outcome of a process or event.

But you know you're in the company of project managers if you overhear a discussion on the merits of the CPI and SPI at the cume level (the reporting of the schedule performance index and the cost performance index at the cumulative, or life-cycle-to-date, level). The Defense Acquisition University actually publishes a "Gold Card," which is, in essence, our secret decoder ring, defining most of the commonly used project management acronyms and formulae.

At least we have the "Gold Card." What do y'all think?

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